Gradients…love them or hate them, they are still an important tool of a digital artist. They bring out more depth and realism when used. Sometimes they’re not used so effectively.
In this tip, I’ll give you several instances of how to use gradients more effectively.
1. Angle Position
The problem with image is that the gradient is all wrong and it should go at an angle instead of just going from top to bottom (0°). If you have slanted/sloped/steep object, you should be wary of the way you add a gradient to it. If your object is slanted, then when you add a linear gradient from that side, go at a 90º angle from its own angle to get a clean look. See pictures.
2. More Than One Gradient
Sometimes you want to use more than one gradient but you decide it make to easy and use a radial gradient. This is not a good substitute. To fix this problem, we’ll use one solid gradient and one fade-to-(insert color here). The fade-to-color gradient should be on top of the other fills/gradients as seen in the Appearance tab.
3. Ease of Use and Gradient Length
Surely, it’ll be a hassle to keep moving your mouse over to the gradient tab just to simply change a thing or two. But this problem can all go away if your press Opt+Cmd+G/Alt+Ctrl+G to bring up the Gradient Annotator. This shortcut can save you time by not having to move your mouse around so much. I don’t see many students use the Gradient Annotator probably since they don’t know about it.
The top image shows what happens when your gradient can be tool short. Unless you never know that you could drag the gradient tool around on object, you’ll be missing an important shortcut. With the Gradient Annotator on, you can easily adjust the length and angle of your applied gradient so colors can fade more softly.
4. Common Gradient
Surely there would be an easy way to combine gradients of multiple objects and just as you know it, there is. Simple select multiple objects and use the Gradient Tool (g) to draw a gradient through the multiple objects.
Will have more later.